3form Announces New Products, Materials at HDExpo

3form has announced that new products and new materials will be unveiled at the upcoming HDExpo May 15-17 in Las Vegas. Here is an excerpt straight from 3form’s blog, Translucent, about the new products:

“At 3form, we have all been working hard to develop a ton of intriguing new products, and we are really excited to unveil them to the world next week at the HDExpo.”

“3form is pleased to announce new Varia Ecoresin interlayers, new textures, a new addition to our Stone line, the brilliant Edge wall feature from Studio, new LightArt, new Ready to Go packages, and much more.”


We wonder how these new product and materials from 3form will contribute to ASI’s 3from-based interior signage product offering, Terra. AS we have seen from numerous case studies and project examples, architects and environmental graphic designers are keen on using 3form materials whenever they can to create warm, inviting and interesting archtiectural environments.

3form Materials Help Create Healing-Focused Emergency Department 

Check out our latest case study, Boca Raton Regional Hospital, to see how the 3form-based Terra interior signage help create a healing-focused environment.

Environmental Graphic Design through Colored Glass in Miami Airport

We wanted to share a great looking environmental graphic design solution from the Miami International Airport. Take a moment to check out the images from this color project by visiting the case study on glas-pro.com. Here is a short excerpt from the case study. Be sure to visit GlasPro for the full story.

GlasPro teams with Light Artist Christopher Janney in newest creation at Miami International Airport

“As any seasoned travel can attest, the journey through an airport’s pedestrian walkways is usually just that – pedestrian. However, this is not the case at Miami International Airport where renowned artist Christopher Janney has once again shaped the ordinary into the extraordinary. In his re-work of the existing passenger connector, Janney has created an experience that can recharge the batteries of even the most jaded, jet-lagged traveler and transform a simple walk between terminals into a “hyper-experience” of South Florida’s colors and sounds.

At the heart of this project is the 72 foot long window wall Designed by Janney and fabricated by GlasPro Inc. of Santa Fe Springs, CA. This installation of more than 150 – 22 1/2″ x 22 1/2 x 22 1/2″ colored glass squares creates a spectrum that gradually changes from deep reds to bright violets evoking, the sensation of a rainbow arching over the Everglades after a mid-summer thunderstorm. The warm sub-tropical sun casts this pallet of colors upon the X-bracing of white structural steel and white interior of the space to envelop all who pass in an “abstraction of South Florida in color and sound.”

Interested in Environmental Graphic Design Solutions?

Check out ASI’s Environmental Graphic Design capabilities brochure. Click here.

Signs of the Future: Will Digital Signage Go the Way of the 8-Track Player?

Digital signage – both dynamic digital and interactive touch-screen displays – are all the rage in the architectural industry these days. Everywhere you turn these days, it seems like you can see digital displays popping up in places where you once would find a point-of-purchase printed board or in some cases, a person manning an information desk. Heck, we even found digital signage on top of gas pumps to take the place of the plastic triangular signs like you see on top of a taxi.

Therefore, digital signs must be the wave of the future, right? Well, let’s have a little fun and do some “Nostradamus-like” predictions (or should we say “Nostra-signage”) about what signage will look like in the future and let’s see if digital signage as we know it today will still be around.

Prediction: By the end of the next decade, you will see entire walls turned into personalized content platforms and digital signage as you know it today will be as passé as 8-track tapes from the 70’s.

Considering that innovative companies such as Google are already working on the next generation of devices and software to interface with the Internet, is it really such a stretch to have built environments with walls that display 1-to-1 information and graphics? Like any great technological leap, it would seem simple on the surface but the technology would be cutting edge. Here’s how it would work: the user has a device that looks and work like eye glasses or contact lenses that functions like smart phones we use today. The device uses high-speed public WiFi and sends information requests to the wall (for conversation sake, let’s call the wall a “personal information display”), which in turn displays personalized information on a frequency that only that user can see. For those people not wearing the eye device – and even those who have the device but choose not to interact with the wall – it might just look like the decorative wall panels that 3form currently offers.

Here is an “8-track quality” depiction of what a personal information displays could look like.

Prediction: Even with the advent of “personal information displays,” standard interior and exterior signage will still be around.

This prediction may not seem as obvious at first, but all you have to do is look back through time to see what has survived from ancient civilizations. We can still see signage and pictograms from Rome and the ancient Egyptians. Therefore, it is very likely that custom monument signs that complement the architectural style of a building will still be around. The same goes for dimensional letters inside a building and even static regulatory information signs.

Do you think we are wrong? Please let us know…but consider the following before you criticize the wise and all-seeing “Nostra-signage’s” predictions: In 1995, Apple was a company on the edge of the abyss — headed for the trash bin of history. Apple stock was trading for (literally) pennies. Then, a forward thinking man named Steve Jobs took control of the company and dared to think beyond the company’s antiquated personal computer business model. Fast-forward five years. By the beginning of 2000, Apple gave birth to the software and the personal device that has literally transformed the music industry and put the once mighty music CD and the ubiquitous shopping mall music store on the endangered species list. Today, Apple is trading above $600 PER SHARE and it arguably one of the most influential companies and offers some of the most sought-after products in the world.

The moral of the tale: Don’t get so wrapped up in what is popular today that you miss the future that is heading toward you.

Quick Hits: Exterior Signage for Business in the News

Exterior signage is in the news again: this time, it’s an iconic sign in Chicago and new rules for neon business signs at business entrances in Pennsylvania.

Downtown Santa Fe Exterior Signage Change to “Motorola”

From writer Chris Bentley with the chicagoist.com comes this brief article about removing the iconic Santa Fe dimensional letter signage and replacing it with the Motorola name-brand signage.

“Along with the 100 workers Motorola Solutions plans to bring downtown, the Schaumburg-based company also hopes to install its name in place of the sign that for decades has read “Santa Fe.” The Santa Fe Building, 224 S. Michigan Ave., sits in the Historic Michigan Boulevard District, and thus Motorola’s plans are subject to review by the Commission on Chicago Landmarks, who will consider Motorola’s reface Thursday. The city staff recommendation included in Thursday’s agenda approves of the new name, so long as it remains consistent in color and lighting with the original “Santa Fe” signage.

“The project will not have an adverse effect,” the staff recommendation reads, “on the significant historical and architectural features of the landmark district.”

Click here to read the full story.

 

HARB: Lit ‘Open’ Signs Can Stay on Downtown Shops

Historic and Architectural Review Board draws up new guidelines that will allow neon and LED “open” signs to stay in shop windows on Main and Broad streets. Authored by Daryl Nerl.

“…Architectural Review Board came up with a new set of guidelines on Wednesday that will allow more than a dozen downtown business owners to keep using their lit “Open” signs — at least for another year. Many of the businesses may still need a strategic application of black electrical tape or paint to get in compliance, however.

The new guidelines, which the board unanimously agreed to, regulate the size, color and placement of acceptable signs. They also require that no part of the sign other than the letters in the word “open” be lit.”

Click here to read the full story.

Bilingual Signage Needs More than Cinco de Mayo References

If you’re rolling out a signage solution and keeping it English-only, you’re missing out on a fast-growing market – Bilingual Signage.

According to the National Center for Education Statistics, in 2009 about 21% — about 11 million — of school-age children (ages 5-17) spoke a language other than English at home. Spanish-speakers alone accounted for the largest numeric increase, with the U.S. Census Bureau reporting a whopping 211% increase in the number of Spanish-speakers in 2007 as compared to 1980.

Marketers are taking notice, and it’s no wonder. According to a recent industry report, Hispanics shop less often but spend more per trip, and their brand-loyalty is strong among a few key consumer product categories.

If you’re rolling out a digital signage campaign and keeping it English-only, you’re missing out on a fast-growing market – a market that may well become your primary market in the very near future. However, catering to this sophisticated and discerning market, is going to require more than just throwing in a few references to George Lopez and Cinco de Mayo. To really make your digital signage content stand out, consider these tips:

  • Mexican isn’t synonymous with Hispanic. When you create your content, remember that the term “Hispanic” refers to a big universe of cultures, from Mexico to Argentina and the nearly 20 countries in between. Don’t showcase traditional Mexican dances in your advertising during Hispanic Heritage Month and think that that gives you Hispanic cred.
  • Culture is more than language. Consider your audience. It’s not enough to simply add subtitles or even translate text. Hispanic audiences want many of the same things non-Hispanic audiences do: authenticity, engagement, interactivity, excitement. Cultural context, however, can mean tailoring your messages to take into account the diversity of experiences, backgrounds and, yes, languages, that influence how Hispanics view and interact with their environment.
  • You may not need or want bilingual content. Despite what many marketers may (erroneously) assume, many Hispanics are either English-only or English-dominant. Young Hispanics in particular primarily identify themselves as English-only, so if you’re marketing to them, consider if you really need bilingual content.
  • Great content must always prevail. Make sure the messages will actually resonate with your target audience, whether they speak Spanish or not. Regardless of the industry you’re in, the product you’re pitching, or the information you’re trying to convey, the content must be useful, informative, and entertaining in order for it to be effective. And that holds true for all audiences, regardless of the languages they speak.

PANTONE Unveils 336 New Colors, Available June 2012

 

Just in case you missed the announcement, we wanted to re-post an article from designtaxi.com as well as information from Pantone about the unveiling of 336 new Pantone colors, which should be ready for production use in June 2012.

According to the recent press release from PANTONE, the expanded PANTONE MATCHING SYSTEM now offers 25% more color options. For signage companies and environmental graphic designers, having more standard colors is great, but it also means there are 336 challenges to ensure that what you see on your screen and on your design is replicated on the signage application. Here are some nuggets of useful information direct from PANTONE:

  • 336 exciting new solid colors for a total of 1,677 solid choices.
  • Broad selection of high-trending hues set your creativity free.
  • New colors printed using a uniform ink film thickness, making them easily matched on press.
  • Complements the PLUS SERIES libraries of sizzling metallics, hot neons, cool pastels and process colors.
  • Compatible with digital workflows.

Will the 336 New Colors be available in a plastic substrate?

Yes. All of the 336 New Colors are available as PANTONE® Plastic Standard Chips.

When will PANTONE COLOR MANAGER be updated with the 336 New Colors?

PANTONE COLOR MANAGER will be updated to include the 336 New Colors at launch. Digital
color values for the 336 New Colors are available in PANTONE COLOR MANAGER, which allows
designers to update popular design applications including Adobe® Creative Suite® (up to 5.5)
and QuarkXPress® 9. While the original 1,341 PANTONE® PLUS SERIES Colors are available in
the recently announced Adobe Creative Suite 6, the 336 New Colors can be added in the
coming weeks through an update to PANTONE COLOR MANAGER. This will be a free update to
existing PANTONE COLOR MANAGER users.

Color Trivia Fun and Why Color is Critical to ADA Signage

Spring time brings out the most color as the flaura and fauna of nature wakes up from winter. Color is beautiful to see, but did you know that color contrast plays the biggest role in creating compliant ADA signage for architectural environments? Before we get into a long explanation of how to create sufficient color contrast to ensure your signage complies with the 2010 ADA Guidelines, let’s have some fun with trivia questions about color…which might end up helping you understand more about creating ADA signage with sufficient color contrast.

Color Trivia Fun

Is color blindness more common in men or women?

Men. About 7% of the U.S. male population cannot distinguish red from green. Color blindness only affects 0.4% of women.

Who is credited with inventing the first color wheel (a circular representation of colors?)

Sir Isaac Newton

What is metamerism (and why should signage people care)?

Metamerism is the matching of color of objects with different spectral power distributions. A spectral power distribution describes the proportion of total light emitted, transmitted, or reflected by a color sample at every visible wavelength; it precisely defines the light from any physical stimulus. Metameric color matches are quite common, especially in near neutral (grayed or whitish colors) or dark colors. As colors become lighter or more saturated, the range of possible metameric matches (different combinations of light wavelengths) becomes smaller, especially in surface colors.

illuminant metameric failure is sometimes used to describe situations where two material samples match when viewed under one light source but not another. Most types of fluorescent lights produce an irregular or peaky spectral emittance curve, so that two materials under fluorescent light might not match, even though they are a metameric match to an incandescent “white” light source

LRV Color Contrast Tool Helps Comply with ADA Guidelines

As an architectural signage industry “rule of thumb,” a 70% Light Reflectance Value (LRV) contrast between sign text and background colors is an ideal guideline to follow when evaluating color and finish options. LRV values for all paint finishes in our Standard Ranges and the calculation used to calculate LRV contrast have been provided for you in our Standard Color Documentation. Most major paint manufacturers include LRV values for their colors in their swatch books.

However, what does 70% contrast really mean once you consider things like metamerism, color blindness and the wide options of color choices in the color wheel as well as ambient and electrified lighting?

The answer is, “not very much” because there are many things to consider regarding human eyesight. This is why we use it as a “rule of thumb,” not a mandate or a law. It is meant as a starting point. For more information, we recommend reading the following posts:

Color and Contrast Resource for Wayfinding Signage Solutions

Applying Clarity to ADA Signage Contrast Requirements

Sign Judgment: ADA Guidelines vs. Designer Aesthetics – A Struggle for Balance and Working Solutions 

Stand-Offs Enable Modular Functionality for Interior Signage Solutions

Decorative fasteners or mechanical stand-offs are not new to the architectural signage industry. Environmental graphic designers and architects have integrated stand-offs into Interior signage designs to enable modular functionality for some time. According to Gyford, one the architectural signage industry’s best known decorative stand-off providers, their products include the following sustainable features:

  • Manufactured from U.S. process aluminum and stainless steel.
  • Aluminum solid bar contains up to 55% recycled material.
  • Stainless steel bar contains over 90% recycled material.
  • Aluminum and stainless steel are 100% recyclable.
  • Aluminum is the only metal which can be infinitely recycled.
  • Aluminum is light-weight and strong, approximately 1/3 the weight of iron, steel, copper, or brass. This makes it easier to handle, less expensive to ship, and thereby consuming less energy.
  • Aluminum and 316 stainless steel are non-corrosive, do not rust, and are protected by their own naturally occurring oxide film.
  • Aluminum components are sold with a clear non-toxic anodize finish. Anodizing is an environmentally safe process and meets the FDA, USDA, WEE and RoHS safety directives.

Stand-Offs are Great, But What About the Interior Signage Materials They Hold?

That’s great news about the sustainable features of the fasteners as well as the modular functionality they provide for interior signage solutions, but what about the sign panel? If architecture firms are so concerned with eco-friendly practices and designing buildings for LEED accreditation, why are so many architecture firms still specifying acrylic for interior signage programs? There are eco-friendly material solutions available on the market today for interior signage that are affordable and look fantastic in the architectural environment. Let’s look at three options that use decorative stand-offs to enable modular functionality:

InTac™ Eco — Eco-Friendly Signage Solutions Helps Achieve Green Goals

InTac™ Eco unites image and style to meet the needs of sustainable building environments. InTac™ Eco combines GREENGUARD Certified fabrication processes and materials, low VOC paint and UV digitally printed graphics to create beautiful signage solutions with little to no negative impact on the environment. All the materials used to create InTac™ Eco are recyclable and reusable and they pose no danger of pollution of air and ground water in municipal landfills.

Terra — Eco-friendly ADA-Ready™ Signage Solution using 3form

Terra, which is made from 3form’s Varia Ecoresin material, is comprised of 40% post-industrial recycled, non-off gassing material that is Scientific Certification Systems (SCS) certified for recycled content and GREENGUARD Indoor Air Quality Certified™. Many of material backers for Terra are sourced from cultures throughout the world and are fair-trade certified. Decorative accents and mechanical fasteners can be integrated into the plaque and Terra can be cut into almost any shape.

Macer Interior™ — Slim-Panel Interior Signage Solution

Macer Interior™ consists of three components: a uniquely-designed panel holder, aluminum or etronite graphic panel, and a discreet top fitting that is used for large panels or PaperFlex™ signs. Macer Interior is also available with a tempered glass panel option.

Recycling Green Signage Posts for Earth Day

In case you haven’t heard, Earth Day is Sunday, April 22.

In honor of this eco-friendly tradition, we thought it would be nice to recycle some of the best and most read blog posts.

Click on the links below and enjoy Conversations about Green Signage and feel free to talk back to us about the eco-friendly signage, products and building practices in the posts.

 

New Smog-Eating Aluminum Panels for Architectural Structures…and Exterior Signs?

Green Product Claims: It’s Not Nice to Fool Mother Nature…or Your Clients

Powder-Coating: VOC Free, Smooth Finish, Consistent Color for Interior and Exterior Signage Time and Time Again

3form’s Gallery of Healing-Focused Healthcare Projects Featuring Eco-Friendly Materials

eFlex — the Paperless, Wireless, Eco-Friendly Desktop Digital Solution is Turning the Heads of Facility Managers

Green: Everybody Wants It, But They Don’t Want to Pay for It

SEGD Survey Results on Sustainable Practices in Architectural Signage

InTac™ Eco, Modular Interior Signage, and Digital Signage Get A Lot of Looks at Healthcare Facilities Expo

Illumination Design Solutions for Architectural Signage

When lighting is added to architectural signage, it is usually done for practical purposes – to ensure the sign’s message is visible at all hours of the day. However, with architectural signage and environmental graphic design, illumination takes on other functions. Traditionally, incorporating lighting into architectural signage for design aesthetics is used for:

  • Brand Identity
  • Environmental Design Accents
  • Wayfinding Assistance

Choosing the Right Lighting Solution for Illuminated Architectural Signage is all About Function and Need

Incorporating lighting into architectural signage can be done to enhance the signage design, promote brand identity, and improve wayfinding information. No matter what the reason, choosing the right lighting solution is important to the long-term function of the architectural signage solution. The most commonly used lighting solutions are LED strings and panels, fluorescent tubes, neon tubes, mercury vapor lamps, high intensity discharge lamps, and high-pressure sodium lamps. Determining which lighting solution to use is actually quite easy if you adhere to the “form follows function” architectural principle. For example, it would be wrong to use strings of LED lights on a tall exterior monolith sign when a single mercury vapor lamp or a few energy-efficient fluorescent tubes will illuminate the sign.

Click here to view and download our latest InfoSeries, “Illumination Design Solutions for Architectural Signage,” which is an introduction for understanding how illumination is used for brand identity and design for architectural signage.

We wanted to share a nice little article on sfgate.com by Audrey Medina titled, “5 Places Where Neon is the Highlight.” It complements our InfoSeries piece about how illumination can contribute and even create a design aesthetic for architectural signage. Here is a short excerpt from Ms. Medina’s article. Be sure to read the entire piece.Read more: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2012/04/05/TRM51NSKT6.DTL#ixzz1rYgdPmAH

“Diving ladies, waving cowboys, palm trees and martini glasses once welcomed travelers all over the country. Neon signs flickered and hummed from the 1940s through the ’60s, until urban renewal projects and cheap plastic light boxes replaced most of them. These days, the art form is being revived, and signs are being rescued and restored as part of our architectural heritage. Here are highlights of where neon gas still lights up the night.” 

 

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